For her later installations she adopted a strategy of erasing herself and the conventions of presenting her work as "art" by creating environments seemingly built up and then abandoned by obsessed and tormented individuals so called outsiders living in isolation. Haeussler's experiments were influenced by artistic positions of Wilhelm Lehmbruck and Joseph Beuys ; she herself names Medardo Rosso as her most important inspiration. Views Read Edit View history. Archived from the original on In Toronto she taught sketching and sculpture at the Toronto School of Art from Philosopher Mark Kingwell notes: "It is an example of what we might label haptic conceptual art: the art of ideas that functions by way of immersion, even ravishment. Haeussler's major projects include the invention, corporate identity and accessibility of fictitious institutions or corporations that serve as investigators and presenters of the discoveries before they are identified and labelled as artworks to the public. With her installations, she creates hyper-real installations by presenting the living situations of fictitious protagonists who have arranged their lives somewhere between obsession and art. They are also invariably off-site works.
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